Need inspiration for a truly groovy Halloween costume? Look no further than these samples of dyed and printed wool fabric from the 1912 Wolldruck sample book. The book contains 244 samples in all so, if none of these prints are giving you disco fever, visit our Digital Collections site to browse until you should be dancing.
This impressive work is the final Halloween miniature for this season, and its worth the wait!
This kit comes with everything a very small vampire hunter would ever desire for the slaying of equally tiny vampires!
It includes four books (all handstitched, with readable text) on the Uncannny, including Compte d'Erlette’s Culte des Goules and a journal, that ends in a crimson splash, and the warning to the next owner “DO NOT LET HIM LIVE”.
It also provides some practical tools, such as a bottle of holy water, a silver cross, a compass, and a pistol in a hostler. There is a removable tool rack with hooks holding a mallet, a crowbar, and a mirror, and a bunch of sharpened stakes, a head of garlic, among other things!
This treasure trove was created by Pat Sweet, Printer & Binder, Riverside, California. Read more about it here.
Check out UI Special Collection’s seasonal Youtube Series Freaky Fridays and watch the adventure undertaken by the Hawkeye Ghost and some famous folks here in Special Collections to find this mini item in time for the Halloween pop-up exhibit, where you can see it for yourself Thursday at the Main Library from 11AM to 1PM.
Sample book no. 1 from 1792. Textile printers Schöppler and Hartmann, Augsburg. Typical patterns of the time. Photo: Maik Kern. Textile and Industrial Museum Augsburg
On 14 January 2016, the University of Victoria’s Libraries
kicked off the new year with a visit from Dr. Andrew Stauffer from the
University of Virginia as part of the Unravelling the Code(x)speakers
series. Dr. Stauffer is the director of NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship) and the founder of the Book Traces project.
Stauffer kicked off the day’s events with a
workshop entitled “Traces in the Stacks” that centred on his Book Traces
project. He revealed that the Book Traces initative came out of a realization
that nineteenth-century readers are reflected in library stack collections, not
just in university special archives. Traces – autographs, dates, place names,
souvenirs, sketches, and other ephemeral inserts – are preserved in individual
copies of common book objects. In fact, Stauffer has founded that nearly 20% of
library titles include a trace – with some exceptional authors exhibiting a
“hit rate” of over 80%. One of Book Traces’ main objectives is to reach out to
the global library community in order to assemble a collective picture and
understanding of nineteenth-century readership through book traces. Our
workshop helped to facilitate this collaborative project by sending
participants out into McPherson Library to browse the stacks for unique traces
in our own collection.
Before the search began, Stauffer was optimistic
about finding a couple of examples to contribute to the project. However, much
to everyone’s surprise and after a mere forty minutes of hunting, the room was
buzzing with energy as workshop participants filed in …arms full of books!
The findings were astonishing. Many students found
original autographs and prize book certifications. One student found intricate
pencil sketches in a copy of Hawley Smart’s Bells and Ringers and
another found a tiny fragment of a yellow ribbon – possibly used as a bookmark.
Overall, the workshop participants contributed nearly 80 unique entries to the Book Traces project! It was clear
that in many cases the participants developed a keen fondness for or curiousity
in the book traces they discovered. Several participants checked their items
out of the library to carry out further investigation and a group of English
graduate students have begun planning monthly “book hunts” to continue
contributing to Stauffer’s initiative.
Later in
the afternoon, Stauffer returned to give a lecture on the theoretical
underpinnings of the Book Traces project. He began by using the
nineteenth-century children’s book The
Velveteen Rabbit to reimagine books as sites of intense nostalgia, memory,
and loss. Stauffer argued that as the global library goes digital and
institutions begin questioning what they should do with old books, these
“shabby skin horses,” housed in open stacks, are increasingly at risk because
they are not monetarily valuable and are often in rough condition. What the
Book Traces project strives to demonstrate is that important everyday
sentiments and markers of human experience are preserved in these common books.
Therefore, Stauffer calls scholars to approach the nineteenth-century book with
“rigorous nostalgia” as they reconsider the value of these print records. To
demonstrate his point, Stauffer shared a number of compelling examples
uncovered through the Book Traces project. At one point, he had the audience in
stitches as he showcased a lover’s affair and quarrel captured in a book’s
marginalia; at another moment, a trace brought on silent contemplation as
Stauffer unpacked a woman’s responsive writing to her younger self.
The question period following Stauffer’s lecture facilitated
a lively conversation between librarians, archivists, faculty, and students. It
was keenly remarked that the Book Traces project points to two histories: the
history of book use as social object and the history of engaged reading. This
observation deepened the audience’s already captivated interest in Stauffer’s
initiative.
A special thank you to Dr. Andrew Stauffer for travelling
to Victoria and including us in his spectacular Book Traces project. The energy
generated by the day’s events evidences the immense impact and importance of
this work. We encourage all of our readers to check out and contribute to the
project!
Unravelling
the Code(x): History of the Book Speakers Series and Symposium
is an interdisciplinary cluster of interrelated events that explore book
history scholarship and the creation, circulation, and reception of knowledge.
The proposed speakers series and symposium features scholars from across
disciplinary periods who will discuss their scholarship in book history,
broadly defined to include bibliography, manuscript studies, material culture
studies, media studies, and the history of printing, publishing, and libraries.
The University of Victoria hosts this SSHRC-funded initiative.
The next Unravelling the Code(x) speaker, Dr. Leslie Howsam, from the
University of Windsor, will be visiting on 18 February 2016. If you are unable
to attend the events, please follow along through our Twitter stream @UVicSC or
through the hashtags #unravellingcodex and #bookhistory.
For more information about
this series, please click here.
This posted was written by the Graduate Fellow for the Unravelling the Code(x): History of the Book Speakers Series and Symposium, Lindsey Seatter.
We recently digitized this Italian hand-written manuscript, Navigazione, from 1758. It is a treatise on theoretical and practical navigation, and includes striking diagrams and navigational charts (and rather nice cursive).
#FridayFlea, anyone? This is the splendid flea from Robert Hooke’s Micrographia, one of the most famous images from his book on microscopes and the observations he made with them. Micrographia introduced people to the idea of an invisible, microscopic world for the first time, and it was profoundly influential in both science and culture. We got this out for a class on science and society yesterday, and of course we had to take a photo to share. ⠀
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Rare Vault QH271 .H79 1667 ⠀
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#flea #hooke #micrographia #microscopic #histsci #histsciart #sciart #art #history #illustration #rarebooks #universityofmissouri #mizzou #ellislibrary (at Ellis Library)
Today’s post brought to you by our most excellent Information Specialist Internship Program (ISIP) intern, Katie Gagen.
Scrapbooking as Social Media: UW Student “posts” from the 19th and 20th centuries
Scrapbooking was the social media of the 19th century, offering a way for ordinary people to record and preserve their social and personal lives.
Although we often consider social media as a new trend, we can think about today’s social media sites (like tumblr!) as platforms that continue a long history of social expression, interaction with media, and the documentation of everyday life.
The University of Wisconsin-Madison Archives has about 200 scrapbooks and photo albums collected from former students and student organizations. To view the ones we’ve scanned, click the link above and hit “browse the collection” to see them all! Compiled by both male and female students, these books present a variety of material, some examples of which you can see above.
As unique and unpublished material, scrapbooks offer new insight into UW Madison student life from as far back as the 19th century. Within their pages are UW student’s selfies, doodles, love letters, and more from long ago!
Scrapbooking allowed students to collect and reserve unpublished and informal material, much like social media feeds today!
Do you keep a scrapbook?
If you didn’t use social media, would you keep a scrapbook to collect your memories?
Can scrapbooks be considered a form of proto-social media?
–Katie Gagen, ISIP Intern, for the University Archives.
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For more information about UW campus history, contact uwarchiv@library.wisc.edu or visit library.wisc.edu/archives. On, Wisconsin!